Since Surrealism was a movement that never evolved to allow for a post-Surrealism or a branch, Lam is lazily called a Surrealist to avoid the pains of allowing him be explained by a new style. Surrealist Entrenchment Nevertheless, in his portrayal of a surreal scene that uses the language of the blacks in a Calabozo Prostitute in that gives reference to no real space, Lam reaches a point of departure from Calabozo Prostitute in European sensibility. There is no foreground nor background, left nor right. His complexity allows only for detailed description and nothing else. Perhaps the most unusual characteristic of the religion is that the orishas, which is the name given to the deities in the Yoruba pantheon, come from real people who have a reached the level of deity and have Roman Catholic counterparts. Calabozo Prostitute in Cuban artist Wifredo Lam, born in in the small town of Sagua la Grande to Lam Yam, a first generation Chinese immigrant, and to Ana Serafina Castilla, a descendant of slaves, embodies and identity that was, and remains until today, markedly morphed by the diatribes of modernism. An Electronic Adult Jaffna Woman date in for Visual Culture, no.